"Ark" describes a time when we had a front row seat where it seemed that we could see everything yet it felt as if we were seeing nothing at all. Over the years I’ve found fewer and fewer animals when I go out into nature to look at this or to film that. In the last year I haven’t found any wild animals and I've rarely heard any birds. So where have all the other animals gone? What has happened to them and what is happening to us?

How to step into a new kind of Jerusalem without becoming what we feared? How to leave behind every notion of the chosen few, and embrace the ones along the way, finding a promised land in each other. Based on an excerpt from the poem Red Sea: April 2002 by Aurora Levins Morales, a disabled Puerto Rican Jewish writer and activist.

Sean’s mission on Earth is to help humans live forever by eradicating useless states of emotion and instinct. However, confronted with "Earth’s pointless gravity", Sean’s body weakens. He seeks the help of a domesticated horse, who introduces him to poetry. Undaunted, he continues to collect samples from Earth: animals, worms, and the very children who have befriended him.

Our newest collaboration with renowned poet Lucy English combines footage shot on location In Cancer Alley with images of nature, especially cypress groves, which are as fragile and as threatened as the Cancer Alley communities. The visuals are accompanied by a poem about what it is like to live in the small towns near the Mississippi River, between East Baton Rouge and New Orleans, which are now dominated by more than 200 chemical plants and oil refineries, sometimes literally located in residents' back yards. The cypress trees can live for more than 1000 years, if they are not chopped down for cypress mulch or their habitat destroyed. Human lifespans are much shorter, but we may not survive as a species unless we stop living as if all that matters is today, and learn to think on the time scale of the trees. Text of the poem by Lucy English

Against the backdrop of societal collapse, two powerful voices engage in a high-stakes debate over the future of humanity. Should mankind be placed under total control to safeguard its survival, or should they be granted the freedom to shape their own destiny, even if it means risking self-destruction?

Zuza Banasinska reinvents the famous Slavic witch Baba Yaga through a clever montage of films from Lodz’s Educational Film Studio, containing sexist content. Questioning their own non-binary identity through an unsettling voice-over that tells the story of a matriarchal family, they unleash the queer dimension of images tasked with conveying a normative conception of identity.