"Nocturnal Dream Disposal" is the first part of "Vernacular Dreamscapes" a multi-part audiovisual project with texts by Marc Richter, music by Black To Comm, visuals by Neue Deutsche Kunst (all the same person actually) and the voices of five artists of which Inger Wold Lund and Felicia Chen (Dis Fig) can be heard as short voiceovers in this film. The overall theme of "Vernacular Dreamscapes" is nature as a zone of the unknown and uncanny, an alien and alienated territory, a deserted zone. This is counteracted by the appearance of dreamlike and absurd phenomena and inscrutable cavernous architecture. A stringent plot is never revealed, reality remains vague. The zone is inhabited by places, dreams, voices and supernatural creatures and artifacts; drug-induced experiences are creating a psychedelic time-stretching experience. We’re reminded of so-called "Involuntary Parks“, forbidden areas made uninhabitable by human-made disasters. A primitive AI creates a world where Dhalgren meets The NeverEnding Story in Stalker/Ballard territory.

Using images already available on the internet, text-to-image programs can sometimes create monsters. 512 × 512 explores the biases of Artificial Intelligence through the shocking images it can produce by synthesising “the entire memory of the world”: high-tech nightmare visions that reveal what we have repressed.

Demi-Demons is an essay film about the contradictions of contemporary existence, which separate us from our natural instincts, opening abysses within us. The glorification of the hermaphrodite, the hedonism of virtual realities, the search for new levels of physical attraction and forms of higher consciousness, ambivalence towards sexual reproduction, these abysses embody the existential struggles inherent in navigating the terrain between instinct and enlightenment in a rapidly evolving world. Demi-Demons is made and animated from vintage photos and collages, creating a surreal and thought-provoking atmosphere.

The film is a contemplation of life through the prism of war. It is a premonition of global world changes... and a hope for the prudence of humanity.
Human beings live in a world of memories, fears and passions, dreams and hopes. In our memories, we increasingly want to return to the world of childhood - summer, where joy and light reign, as opposed to cruel reality, loneliness and existentialism. But it is becoming more and more difficult to get into this world, to dissolve at least mentally in the sun's glare. This film is about man in nature and nature in man, about cyclicality, the beginning and the end - the path to eternity. Autumn is heading towards winter, and we are so eager for light.

Inexplicably abandoned by his parents on a windswept, empty beach, a young boy embarks on a surreal journey through time – and a contemplation of ageing and his own mortality.