"Opera" is an experimental film that explores perception through a filmic collage constructed with the help of a sin- gle light source. Through layered manipulation of that sin- gle source, the frame gains the rhythm of multiple sources and a play of light that transforms space and perception. This is a film about how an image can conceal reality – and what happens when it can no longer do so.

An essay film that adopts a lyrical and distinctly queering approach to sexual identity, social dynamics, and everyday life in contemporary China. Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, confronting the personal cost of existing in the current age of turbulence and regression, in a world that demands their silence.

Initiated in 1996 and belated completed in 2026, this home-processed 16mm film material was inspired by Marc Adrian's Total (1968) and incorporates Moucle Blackout and Laszlo Dudas's voices. Parially shot at Hearst's San Simeon Castle, Canada and Royal Melbourne Show. It is an exploration of overcoming traumatic thoughts through materialist actions onto the film surface. The completion gap demonstrates the power of and resistance to traumatic events.

“The truth you seek, Hermit, did not come into this world bare, but came in images.” With this realization, a hermit traveling through India, suspended between meditation on Mount Arunachala in Tiruvannamalai and a trip to the temples of Mahabalipuram, reflects on the sense of images in the earthly dimension and, therefore, on the final meaning of his own spiritual pursuit.